Jessica Helfand + Ellen McGirt | The Design of Business | The Business of Design
S9E10: Quemuel Arroyo
Debbie Millman | Design Matters with Debbie Millman
Dorie Clark
Alice Twemlow | From Our Archive
Massimo Vignelli’s Desk
Spaeth Hill | Books
äntrepō: Volume 1
Adrian Shaughnessy | Books
James Biber | Essays
Vestige(s) of Empire
Laetitia Wolff | Essays
Design is Capital: Five Lessons I Learned from Lille
Jessica Helfand + Ellen McGirt | Audio
S9E4: Na Kim
Susan Morris | Essays
MoMA’s Documentary Fortnight
Scott Berkun | Books
The Powerful Decide
Kaleena Sales | Terms of Service
Teaching Black Designers
Ashleigh Axios | Opinions
To Be a Design-Led Company
Susan Morris | Essays
Observed at Hot Docs 2021
Elle Luna | Report
Report from a Japanese Maid Café
Francisco Laranjo | Essays
Critical Graphic Design: Critical of What?
Jason Grant | Essays
Against Branding: Part 1 — Design and Conflict
Augusta Pownall | Books
Rational Simplicity: Rudolph de Harak, Graphic Designer
Laura Scherling | Essays
How Micromobility Vehicles are Redesigning Global Transportation Systems
Jessica Helfand + Ellen McGirt | Audio
S9E3: Astra Taylor
Steven Heller | Opinions
Pinch Me! 
Is it Really Over?
Jessica Helfand | My First Job
When Less Was More
Alexandra Lange | Essays
Kicked A Building Lately?
Jessica Helfand + Ellen McGirt | Audio
S9E2: Melanie Keen
Steven Heller | Essays
WAR! What’s it Really Good For?
Alexandra Lange | Opinions
Why Nicolai Ouroussoff Is Not Good Enough
Jessica Helfand | From Our Archive
Total Recall
Jessica Helfand | Essays
Why Write About Graphic Design?
| Books
Origins of Design Patents

Observed | September 17

From Aunt Jemima to AI, How Racism Creeps Into Design: an insightful video from Bloomberg Equality. [JH]

The 40 winners of this year’s Posterheroes Becoming e-Quals competition have been announced. Congrats to all! [BV]

German artist Max Hattler finds inspiration in the immense size, muted colors, and relentless repetition of the facades of Hong Kong’s apartment high-rises. [BV]

Swatch Bharat—online collections of Indian native aesthetics, created to preserve artifacts disappearing due to globalization—has completed their eighth collection. Get inspired![BV]

Observed | September 10

Rachel Berger’s Shooter Box—an exhibition protesting the United States military’s use of Microsoft Xbox controllers as battle equipment—now on view at California College of the Arts. [JH]

Pantone No. 1837, Jean-Michel Basquiat, and a conspiracy theory about art and commerce. [JH]

Designing a better airport. [JH]

Revisiting a seminal guerilla signage project, twenty years later. [JH]

Observed | September 03

Everyone’s a (design) critic! The internet goes wild—not in a good way—for the cover art “design” for Drake’s new album. [JH]

A new graphic novel on censorship—from MITPress—gathers insights and highlights from a profession under attack. [JH]

Rebranding Chernobyl with a logo that decays over time. (Via Michael Bierut.) [JH]

Today we chase after information, without gaining knowledge. We take note of everything, without gaining insight. We communicate constantly, without participating in a community... This is how information develops a lifeform: inexistent and impermanent. [JH]

Observed | August 27

A spectacularly researched—and meticulously produced—history of design and visual culture in Louisiana. (Via Nancy Sharon Collins.) [JH]

Alan Heller, who collaborated with Mario Bellini, Massimo and Lella Vignelli, and others to produce memorable objects in plastic, dies at 81. [JH]

Originally located in Marshall Field’s unused 1905 South Prairie Avenue mansion, The New Bauhaus school opened its doors on October 18, 1937. Bauhäusler László Moholy-Nagy, director, began to shape the original Bauhaus curriculum to suit his purposes. Gone were the craft-based distinctions that helped enforce gendered segregation and discrimination in the German workshops. An in-depth look at the founding of American Bauhaus. [BV]

Observed | August 20

Preserving Black historical resorts is a radical act: Amid the violent segregation of the Jim Crow era, leaning into Black joy, leisure, and recreation was a form of quiet radical resistance. [BV]

Our favorite water bottle designers have debuted their newest product, a sleek, steel vessel for all your portable beverage needs. [BV]

Populism—fascism—and design: Derek Hill explains. (Via Mike Errico.) [JH]

Punishment for ... a logo? [JH]

Data visualization in three parts: Mars rover, seabed geochemistry, and drought and climate change. [BV]

How the ice cream truck made summer cool. [BV]

Jobs | September 26