The Design Observer Twenty





Aid

Cheryl Heller
Dear Jeff Bezos, Have You Ever Been to the Amazon?
It wouldn’t really be that hard to save the Amazon. Especially for you.



Observed
Atrocity Prevention Challenge
USAID, Humanity United and OpenIDEO have partnered to pursue ways to prevent mass atrocities – that is, deliberate mass violence against civilians.



Observed
One World Futbol
For children in impoverished countries, where soccer balls donated by relief agencies often rip and quickly deflate, Tim Jahnigen has developed a ball that can last for decades.


William Drenttel, and John Cary
Give the Gift of Design this Holiday Season
Tax-deductible gifts for the holiday season: they feel good for the giver, meaningful for the recipient, and provide crucial support for hardworking nonprofits on the ground.



Ramsey Ford
Expert Thinking About Global Aid
Suggestions for a crash course in development economics for social designers



Tokujin Yoshioka
Please Help Japan
Request for aid to Japan.



Krista Donaldson
The Real Cost of Free
Do you give the poor farmer a pump if you know it will transform her crops and move her family from just scraping by into the middle class? It’s hard to say no, isn’t it? But you should.



Kaomi Goetz
Kopernik
Report on Kopernik, a new website for funding technology to assist populations in the developing world.



Aspen Editors
Aspen Design Summit Report: UNICEF and Early Childhood Development
At the Aspen Design Summit November 11–14, 2009, sponsored by AIGA and Winterhouse Institute, the UNICEF Early Childhood Development Project proposed a new approach to emergency kits that would be more precisely tuned to young children’s intellectual and emotional needs, as well as outlined a basis for the next AIGA/INDEX: Aspen Design Challenge.



Observed


Corn husks were just the start: a Mexican designer in London writes his own rules. [JH]

Wieden+Kennedy London launches standalone branding and design studio—called—NOT Wieden+Kennedy. (Play their logo generator yourself, here.) [JH]

Inclusive design, at Microsoft. [JH]

Best design stories of 2022, from The Guardian. [JH]

Penmanship, cursive, handwriting—what’s the point? [JH]

Set on half an acre in the lovely hamlet of High Falls, New York, the studio that once served Marc Chagall is for sale. [JH]

After escaping from a creatively-repressed and unsatisfactory graphic design career, Sticht became a public safety officer at the University of Rochester. (There’s hope for us all!) [JH]

Weird and wonderful artifacts, via Jason Kottke. [JH]

Design fiction—a speciulative pracrtice that combines science fiction, design thinking, and foresight—might be the next innovation in business. [JH]

For the love of drawing. [JH]

Design and sex. [JH]

Design nerds—rejoice! [JH]

In the latest issue of Print, Paul Sahre discusses his grammy nomination with Debbie Millman. [JH]

Both standard and limited collector’s editions of MuirMcNeil’s System Process Form are now available at Volume, together with a range of uniquely seductive rewards.

Also from Volume: a never-before-seen selection of Paul Burgess photographs documenting the British band, Pulp. Compiled by Burgess and Louise Colbourne, This Is Hardcore is available for pre-purchase now. [JH]

We were sad to hear that the visionary George Lois, died last week. He was 91. [BV]

Chicago Design Through the Decades opens today and runs through the end of the year. The project starts with Art Deco in the 1920s and goes through the 2020s with digital portraits produced using neural networks. [BV]

Art and immersion, according to David Hockney. In London, through April. [JH]

Striking art and design faculty at Parsons and The New School make headlines—as they should. [JH]

Wakanda Forever‘s costumes represent a coming together of cultures. [BV]

Japandi! [JH]

Memorials are retrospective but also aspirational: They are statements about who we mourn and prescriptions for how we mourn; in a way, they are self-portraits. [JH]



Jobs | February 02