Alexandra Lange is an architecture and design critic, and author of Writing about Architecture: Mastering the Language of Buildings and Cities. (Princeton Architectural Press, 2012). Her work has appeared in The Architect’s Newspaper, Architectural Record, Dwell, Metropolis, Print, New York Magazine and The New York Times.


































































03.26.12
‘Deco Japan’ + Designing Women
The Japan Society's new exhibition
"Deco Japan: Shaping Art and Culture, 1920-1945" displays the surprising globalism of this little-known period in Japanese design, when pent-up post-1923-earthquake desires for new goods and new traditions met up with a new openness to Western arts and the rise of industrialization




































































































09.28.10
Yummy!
I thoroughly enjoyed the exhibition
Appetite, curated by Alexander Tochilovsky at the Herb Lubalin Center at Cooper Union, not least because it was bite-sized.




09.26.10
Masdar: So Many Questions
I was not planning to post anything about 
Sukkah City. It all just looked like an architecture studio: so much effort, such worked-over results, and an inability to see the forest for the trees.




09.24.10
Rendering v. Reality in Sukkah City
I was not planning to post anything about
Sukkah City. It all just looked like an architecture studio: so much effort, such worked-over results, and an inability to see the forest for the trees.











09.08.10
In Dwell: Hands Off the Icons
In the 
October 2010 issue of Dwell, which celebrates the magazine’s tenth anniversary by revisiting its own (generally happy) homeowners, I offer the following Argument.




09.07.10
Coming to the V&A: Tower of Power
It is not often that 
a museum blogs about Postmodernism, Michael Sorkin (one of the great take-downs) and credits the (female) renderer who made the AT&T Building look the best it ever has.





08.30.10
Lunch with the Critics: Park51 and 15 Penn Plaza
In my 
second critical lunch with Mark Lamster, in the creepy climes of the Hotel Pennsylvania, we discuss the urbanism, politics and skyline posturing of Park51 and 15 Penn Plaza.

















07.27.10
On DO: Lunch with the Critics
Please weigh in on 
Mark Lamster and my new Design Observer feature, "Lunch with the Critics," in which we observe the new Lincoln Center.








07.20.10
Culture Shed: Where’s the Neighborhood?
CultureGrrl 
offers a critique of the NEA grant for Culture Shed, the Diller Scofidio + Renfro and Rockwell Group design for a Kunsthalle with retractable roofs over at Hudson Yards.





07.18.10
Hung Ceilings
Mad Men returns, and now it's time to speculate on the evolution of Peggy’s hair and the meaning of Betty’s dress choices




07.13.10
Time to Move On
A very nice 
house in Montauk embodies the most recent cliches in architecture: floating staircases, pocket doors, and glass floors.







07.06.10
Below Black Rock
While the plaza around the 
CBS Building in Manhattan has always seemed perverse, it is now made worse with the addition of a bank.




07.02.10
The Personality of Parks
Until Pier 6 at 
Brooklyn Bridge Park opened, my only experience of parks as a parent had been of neighborhood parks










06.17.10
Diana Center & Architectural Bull----
Though rave reviews (
Architect, Metropolis, previously New York) are rolling in for Weiss/Manfredi’s Diana Center at Barnard College, every review has praised two things that I quickly dismissed as the most basic architectural bullshit: the copper glass and the street-level transparency.







06.11.10
Op Art Eye Candy
I’m lucky that I get to live with a
Julian Stanczak painting, bought by my father-in-law in 1968, when Op Art was really something.




06.10.10
Pomo Time Machine
I’m writing more about
Warren Platner, my favorite terribly wonderful or wonderfully terrible architect.








06.02.10
Bloggers in the Archive
Geoff Manaugh’s announcement, on
BLDGBLOG, that he would be blogging from the CCA this summer irritated me, partly because the idea is not brand new.




05.27.10
The Plastics
This month’s
Vogue, which had several enraging features, is not yet fully online except for Blake Lively, bathing suits, clear plastic.






05.21.10
The Anti-Enthusiasts
Design Blogs: The Vacuum of Enthusiasm, my Design Observer manifesto on what the world of design on the internet needs, lives on in the comments.








05.14.10
It Was All Yellow
In 
Buying In, author Rob Walker avoids talking about the aesthetics of the Livestrong bracelet.




05.12.10
In Metropolis: The Visceralist
I spent a day and a half with
Peter Bohlin in deepest Pennsylvania and New York State, and was very impressed with his house projects and attitude toward design.






05.07.10
On Archpaper: Saccharine Design
My review of
Marcel Wanders’ exhibition Daydreams at the Philadelphia Museum of Art for The Architect’s Newspaper just went online and let’s just say I was not impressed.








05.02.10
What I Learned @dcritconference
The
D-Crit Conference is just a memory, so as a tribute to the afternoon presentations I saw, I offer a set of tangents.













04.15.10
All in the Execution
Ian Baldwin's review of The Grid Book calls out the coffee-table book format and it's middlebrow achievements.










04.03.10
Has the High Line Ruined Us?
I went to
Brooklyn Bridge Park on opening day in the pouring rain with stroller.






03.31.10
Moynihan on Design
At
tonight’s lecture at D-Crit, Casey Jones, director of design excellence and the arts for the U.S. General Services Administration, quoted from Daniel Patrick Moynihan’s Guiding Principles for Federal Architecture, written in 1962.




03.30.10
Texts Without Context
I keep thinking about Michiko Kakutani’s piece,
Texts Without Context, that begins the discussion of what is being lost to culture by the supremacy of the web.












03.16.10
Things of Beauty
Saul Bass matchbook covers are about the most beautiful things I have seen in some time.








03.08.10
Not A Learning Experience
The Privileges finally gives a real satire of almost-present day New York City, in which money is discussed and no one has to learn their lesson.






03.03.10
The (Architectural) Anthologist
After some digressions weird and
wonderful, the Nicholson Baker I loved from The Mezzanine and U and I and Room Temperature seems to be back, cranky and at sea and procrastinating.















02.03.10
In AN 02: As the Tide Turns
In MoMA’s 
Rising Currents exhibition, certain tropes of contemporary waterfront design immediately surfaced.

















01.13.10
The Yuck Factor
Watch
District 9 as a palate cleanser after the visual feast of Avatar.






01.07.10
On DO: Skating on the Edge of Taste
The American Restaurant in Kansas City, designed by Warren Platner, is subject of a long essay on that architect and interior designer’s career.




01.06.10
I Heart Huxtable
Ada Louise Huxtable is still the most knowledgeable, elegant, thoughtful critic out there.







12.31.09
Last Post of 2009: Interview, Casey Jones
I interviewed the GSA’s newish head of Design Excellence,
Casey Jones, earlier this month about the future of this government program to ensure better architecture for government buildings






12.21.09
Exciting Multi-Generational Moment
An essay and slideshow on the
design of James Joyce’s Ulysses by my mother, Martha Scotford, appears on Design Observer, where I was recently made a contributing writer.






















11.22.09
Another New York
Every time I get an issue of
New York Magazine lately I ask myself: is Adam Moss turning it into a men’s magazine?



















10.24.09
Petting Zoo
On Thursday I took my class on a field trip to
One Bryant Park, the sustainable skyscraper that is almost complete at the northwest corner of 42nd Street and Sixth Avenue.























































































Observed


How does color function In factories, schools, and hospitals? In the 1950s, it functioned like this. (Part Two is here.)

As if Prime Minister Justin Trudeau didn't have enough on his plate, public response to a new identity program sparks controversy (and ridicule). "It looks like a moose getting a prostrate exam!" one person noted. "It looks like a Minecraft character milking an elk!" observed another. Behold: the communications kerfuffle around the design of a new logo for the Canadian Army.

Every object we bring into the world has a contextual backdrop, and every design decision is a compromise. How long should objects last? Charlie Humble-Thomas—a student at the RCA in London—ponders the question of what he calls “conditional longevity”. 

The United Methodist Church has reversed its denomination’s anti-LGBTQ policies and teachings and lifted all bans on same-sex marriage and gay clergy. The fight to allow same-sex marriage and gay clergy has been part of a painful debate within major Protestant denominations in the U.S. for nearly fifty years. Click through for a timeline of major milestones of the last five decades. 

AAPI History Month turns 45 this year.  Most people credit its establishment to Jeanie Jew, a fourth-generation Chinese American and a co-founder of the congressional Asian-Pacific staff caucus. Her grandfather had helped build the Transcontinental Railroad in the 1800s and then was killed amid anti-Asian unrest, a story which moved her colleagues on the Hill. In 1979, with support from California Rep. Norm Mineta and Hawaii Senators Daniel Inouye and Spark Matsunaga, President Jimmy Carter issued a proclamation designating the first week of May as “Asian/Pacific American Heritage Week.”

The impossible dilemma of Black female leadership. “In predominantly White spaces, a Black woman is expected to code-switch, mimic White culture, and either explicitly or implicitly affirm harmful propaganda about Black people, in order to signal that she can be trusted by the establishment,” says Shauna Cox in Nonprofit Quarterly Magazine.

Weimar, Germany—the city that was home to both Germany’s post-1918 government and the first (of three) Bauhauses—has taken the courageous step to re-examine the school’s relationship to National Socialism. Organized by the Klassic Stiftung Weimar and running from May 9 through mid-September, three exhibitions take on this immense subject: The Bauhaus As a Site of Political Contest, 1919-1933, will be at the Museum Neues Weimar; Removed – Confiscated – Assimilated, 1930/37 at the Bauhaus Museum; and Living in the Dictatorship, 1933 -1945 at the Schiller Museum. A review in today's Guardian looks at the complexity and coordination of this trio of shows, and delves into the historical nuance—and torment—of its political and artistic history. 

Design Reviewed is dedicated to digitally preserving graphic design history and documenting the expansive visual culture of the last century. The archive is the work of one extremely dedicated man: his name is Matt Lamont (and you can get a little taste of his obsession here).

Providing tactical strategies and creative support to tackle the complexities of balancing intuition and taste, technical and personal capability, strategic business decisions in design work and the demands of modern brand building, Matt Owens's A Visible Distance: Craft, Creativity, and the Business of Design speaks to students, educators, and professionals.

Opening in 2025, the Boston Public Art Triennial will be curated by Pedro H. Alonzo and Terese Lukey and is free and accessible to all. More here.
 

And for your Friday enjoyment—Designer! (A poem by Dorothy Chan.)

In Iran, the ancient qanat system enabled irrigation in desert environments, allowed for agriculture to flourish, and fostered community cooperation. “They are based on a huge shareholding system that requires different people living in a region to work together and use the water resources available," observes Negar Sanaan Bensi, a lecturer and researcher in the faculty of architecture at the Delft University of Technology in the Netherlands. With global warming sending temperatures soaring, rethinking these cooling tunnels represents a huge design opportunity, and hints at a promising future for community-building. (Also: they're already using it in Spain.)

California Governor Gavin Newsom—long criticized for failing to address his state’s $73 billion budget deficit, overspending and lack of focus on local issues—asks for public input on the design of a state coin. Hilarity (and, well, yes) humiliation ensues.

How does governance impact the preservation of critical, cultural, and historical artifacts, including, and especially, our cherished institutional archives? John Thackara has some ideas.

London design practice EcoLogicStudio has created a collection of everyday objects—including a desktop air purifier that outputs material used to create furniture and accessories—using algae.

Sloan Leo offers seven prompts to help you better understand what it means to queer design.

Steven Heller reviews Made in Italy NYC—an exclusive (and free!) exhibition celebrating the rich heritage of postwar Italian graphic design. (Bonus video content here.)

Fascinating new (hybrid) job opportunity at MIT, where they are recruiting an Exhibition and Commons Director to manage an exciting set of public spaces known as “the commons”, the newest of which has been carved out of the redesigned Metropolitan Storage Warehouse on MIT’s campus. The commons is envisioned as an assembly of curated physical sites and a set of related programs with a primary focus on architecture, design, urbanism, art, and technology. for their new building. Details here.

Everything you ever wanted to know about the origins of Dutch design (but were afraid to ask).

A meditation on the history of design—and the rise of strategy—from Jarrett Fuller.

A meditation on analog beauty—and vernacular signage—from Elizabeth Goodspeed.

Richard Stengel makes a compelling case that journalism should be free to save democracy. “According to the Reuters Institute for the Study of Journalism, more than 75% of America’s leading newspapers, magazines, and journals are behind online paywalls. And how do American news consumers react to that?” (Subscription required.) 

Please, please, pleaseget some sleep.

The Supreme Court allows Idaho to ban transgender health care for minors. For now.

Historically, we’ve invested huge resources to keep cities and nature separate. But we now know that the health of the soil and the health of people are the same story. So, what does this have to do with design? Join the unstoppable John Thackara and Milan Politecnico professor Ezio Manzini today at 11 am ET as they discuss this critical—and surprisingly overlooked—environmental issue.

Conducted through audio interviews, Ana Miljački's I Would Prefer Not To is an oral history project on the topic of the most important kind of refusal in architects’ toolboxes: refusal of the architectural commission. (Miljački, an architectural historian and theorist, is also Director of the Critical Broadcasting Lab at MIT.) Produced in conjunction with the Architectural League of New York, this podcast features conversations with a number of fascinating practitioners including Diller + Scofidio's Elizabeth Diller, WXY partner Claire Weisz (who we interviewed in Season Three of The Design of Business | The Business of Design) and Nina Cooke John (a Season Nine guest).

This past winter, a diverse cohort of students from the MADE Program at Brown + RISD and Harvard immersed themselves in a wealth of data provided by the City of Boston with the mission of uncovering novel, meaningful, and joyful perspectives on navigating and understanding the urban environment. Their resulting projects—a series of interactive exhibits ranging from envisioning the evolving contours of the coastline to revealing the secret lives of the city’s trees—will be on view this week at the Boston Museum of Science.

Designers are leaving corporate life in droves, re-designed out of their own jobs. “The strategic design gold rush is over,” reports Robert Fabricant.  So, where are they going? “[A} new class of platforms and networks have emerged, including NeolDesign Executive CouncilChief Design Officer School, Design Leadership Job Board, and Design Leaders.” This isn’t a bad thing, he says. “These platforms specifically target ‘fractional’ design leaders who are looking to support one another, collaborate on projects, better communicate their value, and source new income-generating opportunities, both individually and collectively.” 

A new project designed to amplify Indigenous-owned businesses on Google Maps and Google Search gets high marks from Huitzilli Oronia, a Chicana designer from Denver, Colorado, and the creative production agency Hook.  Oronia contributed Google’s Indigenous-owned attribute icon and associated launch materials to the initiative. “This wasn’t just another campaign; it represented an opportunity to help Indigenous business owners share their heritage and foster deeper connections between the businesses and their consumers,” she says.

Yet another social app built around talk, not text! 



Jobs | May 08