The Self-Reliance Project

The Self-Reliance Project is a daily essay about what it means to be a maker during a crisis—to think through making, to know yourself better through the process of producing something—and how this kind of return to self-knowledge might just be the entire point.

It’s title comes from the 1841 essay on self-reliance by the American writer Ralph Waldo Emerson, who wrote with astonishing clarity about the perils of conformity and consistency, about what it means to follow your mind, trust your instincts, and listen to your heart.

So for now, stay well, stay home, and do your work. But don’t just take it from me. Take it from Emerson.

Do your work, and I shall know you. Do your work, and you shall reinforce yourself.

Self-Reliance
Emerson’s text is widely available to read online, but this new Volume edition—designed by Jessica Helfand + Jarrett Fuller—elevates his wisdom through the printed word. With twelve essays from Jessica Helfand’s Self-Reliance Project: order your copy today!




Jessica Helfand
On Whispering
Looking. Listening. And Lessons from Quaker Meeting.


Jessica Helfand
On Learning
What resonates most unequivocally here is Emerson ’s plea for individuality—that iron string—the sovereignty of selfhood.


Jessica Helfand, De Andrea Nichols
On Activism
A starting point for a new kind of dialogue—us with you, and you with yourself—because even and especially in a year such as this one, we know that at the core of all creative enterprise lies a singular, beating heart.


Jessica Helfand + Sara Hendren
On Ablerism
What does it mean, right now, to be self-reliant—to trust your voice, heed your mind, and connect to your own sense of what really matters?


Jessica Helfand + Noreen Khawaja
On Philosophy
Noreen Khawaja and Jessica Helfand talk about the philisophical nature of self-reliance.


Jessica Helfand
On Seeing
Rethinking a color. Awakening the senses. And soldiering on.


Jessica Helfand + Claire Weisz
On Architecture
Herewith, the first in a series of conversations with artists, architects, photographers, cinematographers, designers and makers of all kinds, from all over the world.


Jessica Helfand
Remembering
Visual memories sear themselves into the unconscious, bearing down and not letting go.


Jessica Helfand
Storytelling
We tell ourselves stories in order to live.


Jessica Helfand
Discerning
Sometimes you have to unlearn the constellations to see the stars.


Jessica Helfand
Making
Real makers produce against all odds: ever evolving, all of it work in progress


Jessica Helfand
Feeling
To feel fragile is to feel human, which is to recognize your inherent vulnerability, not your presumed invincibility.


Jessica Helfand
Observing
Observing is truth-telling. It’s not a picture postcard, or a gilded lily.


Jessica Helfand
Pretending
The faking of feelings is a sin against the imagination.


Jessica Helfand
Sharpening
As an isolated activity, sharpening’s got its own powerful syntax. It’s the art of paying attention.


Jessica Helfand
Missing
Ambiguous loss is the loss we can not see, just as it lingers in the closure we can not find.


Jessica Helfand
Tracing
Tracing is a way to think in stages, and seeing those stages pulls you along in your thinking.


Jessica Helfand
Animating
As an artistic practice, animation is a process of aggregation. But as a life practice, to animate is to awaken.


Jessica Helfand
Helping
It’s time to pierce the routine of the everyday. What else is there to know?


Jessica Helfand
Waiting
To wait inside is also a chance to go inside—and stay there for awhile.


Jessica Helfand
Admitting
Productivity is a tonic for loss—not a replacement for it—and the work of reconstruction is always brutal.


Jessica Helfand
Assimilating
What becomes of public space when we’re absent from it—when our familiar human constellations cease to exist?


Jessica Helfand
Dreaming
Dreaming is how we allow the unconscious mind to improvise.


Jessica Helfand
Reading
Reading is one of life’s great indulgences, even (and especially) if you are stuck inside.


Jessica Helfand
Generating
The studio is the seed lab: it’s where we realize that practice is at once speculative, iterative, and generative.


Jessica Helfand
Reciprocating
Reciprocity is not binary—it’s fragmented—like people are, and like life is.


Jessica Helfand
Turning
Turning is a deliberate and conscious act: it’s how we express attentiveness.


Jessica Helfand
Walking
Walking is a form of creative trespassing, like tourism for the psyche.


Jessica Helfand
Responding
Responses are reactions, and reactions demand attention.


Jessica Helfand
Distancing
Will social alienation make us a socially alien nation?


Jessica Helfand
Surrendering
Surrender is the art of uncertainty: it’s the practice of giving in, not giving up.


Jessica Helfand
Sheltering
Shelter is not so much a gesture of imprisonment as an invitation to dream.


Jessica Helfand
Canoeing
What is an actor without an audience? A person—that’s what.


Jessica Helfand
Burning
To read a poem allows you to visit words, the same way you might, say, go to a museum to visit a particular painting.


Jessica Helfand
Recalibrating
To measure your worth against what life looked like until last month is a fool’s errand.


Jessica Helfand
Longing
Wanting what is not possible—no matter how you define your object of desire—is a recipe for disappointment.


Jessica Helfand
Listening
Sound cuts right through you and tells its own story—whether you like it or not.


Jessica Helfand
Reflecting
Photographs like these are trenchant reminders about who we are as a people.


Jessica Helfand
Harvesting
What kind of work would you make if you thought no one was looking?


Jessica Helfand
Breathing
Breathing is one of those things you take for granted. Until you can’t.


Jessica Helfand
Looking
What it means to be a maker during this pandemic.



Observed


Design thinking has missed the mark, says Anne-Laure Fayard and Sarah Fathallah in this must-read piece in the Stanford Social Review. “We reject design thinking as a singular tool kit prescribed to solve social problems,” in part because, it has failed to do so. “Instead, we call for a critical stance on design, where critical means both discerning and important.”

The United States, Britain and more than a dozen other countries on Sunday unveiled what a senior U.S. official described as the first detailed international agreement on how to keep artificial intelligence safe from rogue actors, pushing for companies to create AI systems that are "secure by design." .

Dasha Tsapenko is one of a growing number of designers growing clothing from mycellium. (More here.) 

A brief respite of eye candy: this exquisite scrapbook—with typography made from matchboxes, dating from 1875—will bring you a rare moment of analogue joy. (Thanks to Debbie Millman for sharing it!)

Design Observer's approach to paying it forward includes supporting big dreams for those who deserve to see those dreams become a reality. (Spoiler alert: you won't find any “top fifty gifts for creatives” lists here this, or any holiday season.) Instead, we'll be sharing ideas over the next few weeks for ways that you can help someone else. Start here.

South African designer Thebe Magugu incorporates vintage (family) photos into a new line of clothing. (Read more about the Heirloom Shirt Project here.)

Remembering George Tscherny, the graphic design powerhouse whose work defined a post-war golden age of corporate growth, innovation, and consumerism.

The US government has published its Fifth National Climate Assessment, an interagency effort to provide a scientific foundation for policymaking and interventions. While there has been some progress, the current report has dire predictions on the adverse health effects of climate change and the unequal burdens some communities face. (See also the  United Nations Emissions Gap Report.)

"People who wouldn't drink in a social setting because they were embarrassed at having to drink out of a plastic cup —now they can use a mug like everyone else in the room and they don't feel like they're having to use a medical aid." A British potter designs inclusive mugs

Kyle Vogt, the CEO of Cruise, General Motors' autonomous vehicle unit, has stepped down amid serious concerns about the operational safety of the self-driving cars.

Ready to take on the ultimate challenge? Help shape the technology poised to change the world by taking your turn as CEO of OpenAI.

When only 9% of plastics in the Western world are recycled, how do you create change? One designer has an idea about how to tackle waste—our most egregious design flaw—beginning with housewares. 

“For just as copy can be literature, design can be art when it reaches certain levels of originality and distinction.” Legendary designer and art director George Tscherny has died. He was 99.

Prioritizing the needs of the homeless—a model pioneered by Sam Tsemberis and his work with HousingFirst—also benefits from thoughtful (and inclusive) design practices.

Visualizing equity: Masla Empathy Lab, a Montreal-based DEI consultancy, has completed a rebrand led by agency Six Cinquième. The imagery uses rich colors, rugged lines, and “imperfect” blocks inspired by children’s toys to create a welcoming vibe. “In childhood, our world views are untarnished and less biased. We aimed to capture that essence,” says Six Cinquième’s co-founder Ash Phillips.

A nine-year-old boy from Didcot, Oxfordshire, has designed the car of the future, according to the judges of a contest held by Mini and Crayola. Oliver’s design for the exterior of the electric car includes an array of animals and plants so the car would “blend into natural environments.” Oliver is awesome.

Legendary photographer W. Eugene Smith and his vision of a “failed Pittsburgh.” 

Say BIG CHEESE: the world’s largest selfie camera.

The now annual Lancet Countdown on Health and Climate Change Report has dropped, with newly dire predictions for the consequences of unchecked climate change. “Projections of a 2C hotter world reveal a dangerous future, and are a grim reminder that the pace and scale of mitigation efforts seen so far have been woefully inadequate to safeguard people’s health and safety.”

Starbucks workers are striking today — interrupting the company’s annual holiday promotion, "Red Cup Day.” It’s the largest work stoppage in the company’s 50-year history. Workers cite leadership’s refusal to bargain with the union over staffing issues. “It’s degrading and embarrassing to work in stores that are so short staffed on promotional days that we give customers poor service,” says one barista.

Fashion as global relations: Taking center stage at Joburg Fashion Week, Niger fashion designer, Alia Bare, premiered a collection she hopes will promote the rich, eclectic beauty of her country. “When people talk about Niger they always talk about conflict, they talk about poverty and death, they talk about negative things,” she says. “I know most people associate fashion with superficiality. But I think that fashion, through culture, can help to send a good message outside, an image of the country that is positive.”

How a simple experiment, now supported by neuroscience, reveals why the human brain perceives smaller numbers better. 

“Sleep No More”, the Macbeth-inspired immersive theater experience that melded dance and installation art in three huge warehouses in New York City, is closing down after thirteen years

Sony’s new PlayStation Portal. (Scratches head.) I don’t know. Do we like it? No? Yes?

The biggest trend for graphic design in 2024? Subscription based design services.

At Dubai Design Week, an exploration of eco-friendly design; namely, addressing the crucial need for reclaiming historical materials while imagining new forms that foster sustainable practices.

The Folly Cove Designers were a mid-century all-female collective based in Massachusetts, who advocated for designer credit and trademarked their logo in the late 1940s. A comparatively radical tale of twentieth century trailblazers, women making their way, and their mark, in the world: Elena M. Sarni’s new book—a thirteen-year labor of love—is out now from Princeton Architectural Press.  

Price Waterhouse Coopers rethinks office design through a nuanced accessibility lens—even including pink rooms for neurodivergent workers. 

Straddling an intriguing line between late 19th historicism and 20th century modernism, Viennese architects of the Gemeindebauten (or municipal housing projects) took influences from Art Deco, the Viennese Secession and the early Bauhaus (whose glory years in Dessau still lay ahead) to create buildings that broadly resembled each other without being cookie-cutter copies. A fascinating story from Bloomberg about a public housing model that continues to inspire, more than a century later.

"If the home of the past was a machine for distinctions, in the future it must become a collective discipline of intermixing: intermixing of classes, intermixing of identities, intermixing of peoples, and intermixing of cultures.” Philosopher Emanuele Coccia's new book, Philosophy of the Home, will be published in April by Penguin Random House. 



Jobs | November 28