Evidence

Sean Adams
Big
Sean Adams found the best examples of the next generation of designers and artists in the field of large scale environmental graphics.



Sean Adams
Bad Color
Advice on creating color palettes from the author of The Designer’s Dictionary of Color.


Sean Adams
The Strange Case of the Designer
What makes a graphic designer strange? Is it the obsessive attention to kerning on street signs, arguing whether PMS 172 is orange or red, or collecting odd scraps of paper on every European vacation?


Sean Adams
The Design of Comfort
What I found in the typography of Disneyland was an incredibly dense design solution beyond typography with intentional choices to create a specific experience.


Sean Adams
Blinded by The Light
I found the world of black light posters in late 1978, when I was in middle school. At the time, the fluorescent posters represented rebellion and a bad-ass attitude.


Sean Adams
Smiley Smile
“The image we have would be impossible for Mickey Mouse to maintain. We’re just normal people.”


Sean Adams
When the World Was Young
When I started in the profession, I was the youngest such and such for a long time. Somewhere along the line as the generation before me retired or moved on to greener pastures, I became the old guard. This happens to all of us, which is better than being hit by a bus.


Sean Adams
Fake News: Blow Up
We are conditioned to understand that a photograph is an honest record of an object, time, and place.


Sean Adams
Hope is The Thing with Feathers
A closer look at NBC’s peacock.


Sean Adams
The Meticulous Bruce Rogers
Classical structure and typography, paired with a modern aesthetic, typified Bruce Rogers work.


Sean Adams
Gateway Drug of Dessau
The typography and graphic design at the Bauhaus represent the most religious allegiance to Modernism. But, it is the photography at the Bauhaus that serves as a gateway drug.


Sean Adams
Admiration for the Bland Subject (and Beautiful Design)
When presented with dull content, Sean Adams recommends designers “reframe, augment, or interpret the content and redesign.”


Sean Adams
Remembering Clive Piercy
Without Clive the world will be a little less colorful.


Sean Adams
Mixing Metaphors
This conceptual approach of the “fused metaphor” combines symbol “A” with symbol “B” to produce a new result.


Sean Adams
Hey
Sean Adams extolls the virtues of a narrative told with minimal means and a strong ideas.


Sean Adams
Joe Orton: Dangerous Collage
Is it graphic design?


Sean Adams
Manifesto of Surrealism: 3 Tragedies
We pass through our days creating fictions to make sense of the world.


Sean Adams
Return of the Standards Manuals or Revenge of the Rigid
These are not systems to be messed with.


Sean Adams
John Astrop and Eric Hill, Booze, 1967
Historic design work, linked to the cultural standards of its time, is often unacceptable now. Does that make it bad? Should the creator be vilified? Should the offending design work be eliminated from a classroom or book?


Sean Adams
Mary Blair: The Grand Canyon Concourse Mural
Mary Blair’s Grand Canyon Concourse mural in the Contemporary Resort at Walt Disney World is a super-graphic that transforms the architecture.


Sean Adams
Phyllis Tanner
“It is a cut-throat business. Be good at negotiating. It is not just about ART.”


Sean Adams
Jennifer Morla: El Museo Mexicano, 1995
As a designer, does the work we create subjugate and presume superiority over another culture, or does it attempt to authentically represent it?


Sean Adams
Marget Larsen
Marget Larsen’s design work bridged post-war American modernism and 1960s hedonist psychedelia.


Sean Adams
Will Burtin
Will Burtin was a graphic designer with no sense or boundaries in media.



Observed | September 18

A tribute to the dearly departed paper sports ticket. (via James I. Bowie) [BV]


Observed | September 10

The blobification of the American restaurant. (via James I. Bowie) [BV]


Observed | September 04

Beginning with the Dada and Surrealist movements, Paris nurtured a tradition of artists, including Ernst, Tanguy, Arp, and Léger, illustrating imaginative and important books. Designers and Books explores Paris and the Artist’s Book in the 1920s and ’30s. [BV]

What‘s the point of album covers in the post-album era? Jon Caramanica and Teddy Blanks discuss. [MB]


Observed | September 03

The history of the Roman Empire, which spans hundreds of years and multiple continents, is chronicled in statues and monuments its citizens left behind. Artsy has a list of seven ancient Roman sculptures you need to know. [BV]

Over the summer, Hyperallergic interviewed dozens of art handlers about the variable conditions of their workplaces. This week, their stories of accident and injury come to light. [BV]


Observed | September 02

KCET is back with a new season of Masters of Modern Design. Season 10 kicks off with the influence of Japanese American artists and designers—Ruth Asawa, George Nakashima, Isamu Noguchi, S. Neil Fujita and Gyo Obata—in postwar American art and design. (h/t Steven Heller) [LY]


Observed | August 30

We use hurricane forecast graphics to warn people. Why do we misinterpret them so often? A marvelous explanation of misreading hurricane graphics. [BV]


Observed | August 29

When your brain won’t let you recognize people, how do you navigate the world? [BV]

Pedro Bell, the artist who created Funkadelic’s cosmic album covers, died Tuesday at 69. [BV]


Observed | August 26

On a dry lakebed in Nevada, a group of friends build the first scale model of the solar system with complete planetary orbits: a true illustration of our place in the universe. [BV]

Sonic branding has appliances and devices singing new tunes. (via James I. Bowie) [BV]


Observed | August 23

Don‘t miss the next MITX InsideDesign event featuring Google Nest‘s Director of Design, Kate Freebairn. The event is on September 25, 8-9:30AM at Mad*Pow‘s Boston office. Get the MITX member rate on tickets using code OBSERVER. Register now [BV]


Observed | August 22

Ikea has swapped its brand typeface to Noto, a collaborative type family from Monotype and Google, after a decade of using Verdana across its visual identity. [BV]

“I’ve always had a studio in my house. I raised both of my children in my studio. I see my studio as a daily practice the way some people see yoga: it’s a sanctuary.” Jessica Helfand talks to Madame Architect. [BV]


Observed | August 19

Visual identity for Re:publica rebels against digital culture with reams of text. Fertig Design has created a visual identity for the Re:publica conference that uses lengthy passages of text and typography instead of conventional graphics to pay “homage to the written word”. [LY]

This is the world’s worst UI—and it speaks volumes about design today. The Antwerp design agency Bagaar built an impossible form for you to fill out—and it puts all your design assumptions to the test. [LY]


Observed | August 15

Roger Ballen revisits his never-before-published Woodstock photos. The internationally renowned artist was just 19 when he took his trusty Nikon to the festival. Only one was ever published—till now. [LY]

Google has a secret design library. The company’s industrial design team shares a handful of titles from its studio library, which is curated by team members. Here are 35 of its best books. [LY]

Morphosis is designing LA’s Korean American National Museum. The museum will incorporate elements of traditional Korean houses and lots of greenery. [LY]


Observed | August 14

Be water’ The Hong Kong protest mantra encourages fluidity and adaptability to any situation influences how art is designed and distributed. [LY]

London design agency OMSE has created an augmented reality campaign for cultural venue Printworks London that transforms static typography into immersive three-dimensional animations. [LY]


Observed | August 12

Why are all recreational vehicles covered in swirls and swooshes? (via James I. Bowie) [LY]


Observed | August 08

New York knows its arts organizations have a diversity problem. The city asked cultural institutions, including museums and performing arts centers, to draw up plans to make their staff and board members more diverse. [LY]

The Ellen MacArthur Foundation aims to make circular design “the new normal” by persuading 20 million designers to help transform the global economy from a linear to a circular model. [LY]


Observed | August 07

Domino’s Pizza is locked in a legal battle over the future of web design. The pizza company has petitioned the Supreme Court to hear a three-year-old case that deals with whether Domino’s is legally required to make its websites and apps accessible to all users. [LY]


Observed | August 06

Zeyu Cai and Sibei Li win The Peoples Notre-Dame Design Competition. The competition aimed to create a new vision for the future of the iconic cathedral after the Notre Dame fire in April this year. Called Paris Heartbeat, the winning design creates a literal heartbeat for the city. [LY]

Imran Chaudhri, one of six designers who created the interface of the very first iPhone, left Apple to start his own company Humane. He now wants to use A.I., machine learning, and computer vision technology to improve our relationships with our devices. [LY]


Observed | August 05

To mark 100 years since women were given the right to vote in the United States, Baltimore Museum of Art has announced its whole year of exhibitions will be dedicated to artists who identify as female. [BV]

The Aspen Institute center devoted to Bauhaus artist Herbert Bayer will open in 2022 and will have galleries and educational programs and study Bayer’s work. [BV]



Jobs | September 18