Exposure

Rick Poynor
Exposure: Andy’s Food Mart by Tibor Kalman and M&Co
The virtue of the vernacular


Rick Poynor
Exposure: License Photo Studio by Walker Evans
The building as camera


Rick Poynor
Exposure: Drape (Cavalcade III) by Eva Stenram
Abducted in plain sight


Rick Poynor
Exposure: Mrs. E.N. Todter by Dion & Puett Studio
Art and the Ladies’ Field Club


Rick Poynor
Exposure: Rayograph with Gun by Man Ray
The poetry of the cameraless photo


Rick Poynor
Exposure: Clive Owen in character by Dan Winters
Anatomy of a publicity picture


Rick Poynor
Exposure: Assicurazioni Generali by Tošo Dabac
The textual unconscious of Zagreb


Rick Poynor
Exposure: Motion Efficiency Study by Frank Gilbreth
The ghost in the grid


Rick Poynor
Exposure: Commuter in Tokyo by Michael Wolf
How to cope with compression


Rick Poynor
Exposure: Ford Motor Plant by Charles Sheeler
The cathedral of industry


Rick Poynor
Exposure: Adamanese Man by Maurice Vidal Portman
Photography for anthropologists


Rick Poynor
Exposure: Domestic Interior by Nicole Bachmann
Design for everyday life?


Rick Poynor
Exposure: Cement Sky by Marla Rutherford
A fetish for motels


Rick Poynor
Exposure: Wintery Forest by Yang Yongliang
Building the new China


Rick Poynor
Exposure: Nurse Midwife by W. Eugene Smith
The mystery of birth


Rick Poynor
Exposure: Untitled Film Still #21 by Cindy Sherman
The photographer as performer


Rick Poynor
Exposure: Guts of the Beast by Marcus Nilsson
How to take a food picture


Rick Poynor
Exposure: Woman Mourning by Don McCullin
What are images of suffering for?


Rick Poynor
Exposure: Cabaret de l'Enfer by Harry C. Ellis
The ghoulish cavern in the villa of Ormen


Rick Poynor
Exposure: Chimpanzee by James Mollison
Looking into the face of an ape


Rick Poynor
Exposure: Operating Room by Augustine H. Folsom
Early surgery as public theater


Rick Poynor
Exposure: Francis Bacon by Bill Brandt
Portrait of the artist or photographer?


Rick Poynor
Exposure: Oildale by Rudy VanderLans
The dismal beauty of an oil field


Rick Poynor
Exposure: House #3 by Francesca Woodman
Fabricating a phantom girl


Rick Poynor
Exposure: Copacabana Beach by Thomaz Farkas
A pioneer of Brazilian photography


Rick Poynor
Exposure: Bar in Valparaiso, Chile by Sergio Larrain
The ambiguity of soft focus


Rick Poynor
Exposure: Suburban House at Night by Todd Hido
The pleasure in not knowing


Rick Poynor
Exposure: Man with a Bandaged Head
The aftermath of extreme weather


Rick Poynor
Exposure: Portrait of Space by Lee Miller
Frames within frames in the desert


Rick Poynor
Exposure: H.P. Lovecraft by Lucius B. Truesdell
The master of horror


Rick Poynor
Exposure: Morandi’s Objects by Joel Meyerowitz
The sublime in ordinary things


Rick Poynor
Exposure: Tilda Swinton by Tim Walker
The performance of a picture


Rick Poynor
Exposure: American Hermit by Alec Soth
Alone in the great outdoors


Rick Poynor
Exposure: Pirelli Calendar Model by Peter Lindbergh
The production line of glamor


Rick Poynor
Exposure: Kreuzberg Tower in Berlin by Hélène Binet
The aura of a building


Rick Poynor
Exposure: Marlene Dietrich Billboard by Brassaï
Superhuman mystique of a star


Rick Poynor
Exposure: Crashed Car by Arnold Odermatt
Fast and Furious: a retrofit


Rick Poynor
Exposure: Grace Jones by Jean-Paul Goude
Beauty, androgyny, and threat


Rick Poynor
Exposure: Beauty Salon in Kraków by David Hlynsky
The Surrealism of window displays


Rick Poynor
Exposure: Crime Scene in Paris by Alphonse Bertillon
The killing of a bank messenger


Rick Poynor
Exposure: Children at Play in the City by Shirley Baker
The freedom of the street


Rick Poynor
Exposure: Rossellini and Lynch by Helmut Newton
A primal lovers’ tryst


Rick Poynor
Exposure: Woman Mailing a Letter by Clifton R. Adams
The spell of vintage color


Rick Poynor
Exposure: James Nachtwey by Antonin Kratochvil
Portrait of a war photographer


Rick Poynor
Exposure: Dysturb poster in Paris by Jeanne Frank
Taking photojournalism to the street


Rick Poynor
Exposure: American Family by Ralph Eugene Meatyard
The otherness of other people


Rick Poynor
Exposure: Bookstore in Barcelona by Gabriel Casas
A new vision of the book


Rick Poynor
Exposure: Invisible Man by Gordon Parks
The view from an electric cave


Rick Poynor
Exposure: Kuwait, 1991 by Sophie Ristelhueber
The scars of a desert war


Rick Poynor
Exposure: Newport Baths by Max Dupain
Sun, sea, and disconnection


Rick Poynor
Exposure: The Eiffel Tower by Germaine Krull
A Paris icon made abstract


Rick Poynor
Exposure: Reem-B Robot by Vincent Fournier
The mental life of a machine


Rick Poynor
Exposure: Salvation Army Barracks by Jack London
Down and out in early 20th-century London


Rick Poynor
Exposure: Flypaper and Flies by Jacques-André Boiffard
A cold eye on insect carnage


Rick Poynor
Exposure: The Gamble by Peter Kennard
The clandestine operations of power


Rick Poynor
Exposure: Pages from Fabrik by Jak Tuggener
The dark undercurrents of industry


Rick Poynor
Exposure: Head below Wires by Roger Ballen
Absurdity in the South African outland


Rick Poynor
Exposure: Surface Transit by Eva Fuka
The shock of New York in the sixties


Rick Poynor
Exposure: Rue du Temple, Paris by Gail Albert Halaban
The lure of a lighted window


Rick Poynor
Exposure: J.G. Ballard by Brian Griffin
The science fiction of the ordinary


Rick Poynor
Exposure: Brodsky, the Tie Seller in Paris
Every photograph is an enigma


Rick Poynor
Exposure: Lens bookshop in Sutton by Lloyd Rich
The rediscovery of lost moments


Rick Poynor
Exposure: Luigi Russolo’s Noise Machines
Sonic conjurors of experimental music


Rick Poynor
Exposure: Butlin’s holiday camp by Edmund Nägele
A sixties vacation in glowing color


Rick Poynor
Exposure: Cat and I by Wanda Wulz
Modernity, femininity and the feline


Rick Poynor
Exposure: Restaurant de la Réserve by Jean Gilletta
Wonder and yearning by the sea


Rick Poynor
Exposure: Berlin scene by Wolfgang Zurborn
The hidden order of the random


Rick Poynor
Exposure: Mother and Child by Philip Jones Griffiths
The gendered power relations of war


Rick Poynor
Exposure: The Colossi of Memnon by Francis Bedford
Mysterious emanations from the desert


Rick Poynor
Exposure: The Simulator by Dora Maar
The chamber of Surrealist visions


Rick Poynor
Exposure: El Paso Street by Stephen Shore
The street corner: an uncommon place


Rick Poynor
Exposure: Rise Up You Are Free by Dominic Hawgood
A post-photographic view of exorcism


Rick Poynor
Exposure: Striporama street scene by Vivian Maier
How good was the photographer nanny?


Rick Poynor
Exposure: Viktoria Modesta by Nadav Kander
Changing perceptions of impairment



Observed | March 27

When the SXSW Film Festival was cancelled, many filmmakers were left without a way to debut their work—so our friends at Mailchimp stepped in. Watch them all now. [JH]


Observed | March 24

The final lecture in the Walker Art Center’s Insights Design Lecture Series with Amsterdam-based designer Ruben Pater will be streamed live and for free on March 31. [JH]


Observed | March 23

British experience designers Bomoas and Parr launch The Fountain of Hygiene competition, calling for designers to propose new forms of hand-sanitizer pumps as well as more creative hygiene solutions. [JH]

Los Angeles-based artists Juan Delcan and Valentina Izaguirre created an animated video (shot with a iphone) that uses matches to illustrate the impact of social distancing. [JH]


Observed | March 20

Emerging artists pay it forward during the health crisis by buying each other‘s work on Instagram. [JH]

Watch Charles and Ray Eames ‘Solar Do-Nothing Machine’ because ‘toys and games are the prelude to serious ideas’. [BV]

On this week’s New Yorker cover Christoph Niemann takes on the spread of the novel coronavirus, evoking a world in which the health of an individual and the health of the public seem, increasingly, to be interdependent. [BV]

“I can’t recall another time when a painting dominated headline news so incessantly; when the public came together to express love and hate for an artwork so passionately; or certainly, when curation was a nationwide discussion.” — George Millership on John William Waterhouse’s “Hylas and the Nymphs” [BV]


Observed | March 19

Graphic design for public health. [JH]


Observed | March 13

Seeing wonder in the small - looking at Ernst Haeckel found in his illustrations of microscopic life. [BV]


Observed | March 12

National Parks posters featuring quotes from one-star reviews. (via James I. Bowie) [BV]

Property of Opaqueness is a collaborative dance performance by artist and choreographer Takahiro Yamamoto and is part of The Unknown Artist, an exhibition at the Center for Contemporary Art & Culture, curated by Lucy Cotter. [BV]


Observed | March 10

Photographer Larry Racioppo spent the ’90s capturing NYC’s makeshift streetball courts: ’the closer I looked, the more interesting they became. Many are really a form of folk art.’ [BV]


Observed | March 06

Friday afternoon eye candy (literally): Jonny Trunk’s book, Wrappers Delight, provides a window into classic sweet package design. [BV]


Observed | March 05

Process Music is the second Kenneth FitzGerald album (of writing) and so worthy of your support! [BV]

Erica Walker studies urban noise at Harvard’s T.H. Chan School of Public Health and her goal is to raise awareness about how constant sound is affecting people’s lives and health. (Spoiler: there’s a lot of noise and it’s not good.) [BV]


Observed | March 04

Do we need a completely new approach to marketing books? Part one of a thought-provoking series from Designers and Books. [BV]

Design fiction is a mix of science fact, design, and science fiction...it recombines the traditions of writing and storytelling with the material crafting of objects.” (via Blake Eskin) [BV]


Observed | March 03

Museums and the Duomo cathedral in Milan reopened Monday, but visitors are asked to stand three feet apart. [BV]

Beyond the Visible: Space, Place, and Power in Mental Health is a symposium later this month at Yale School of Architecture that seeks to make designers and architects aware of their capacity to improve access to and perceptions of mental health. [BV]


Observed | February 26

The current NYC subway map is one of the most consulted in human history. In 1979 Michael Hertz, helped design it. He died last week at 87. [BV]

Why are music-streaming interfaces becoming visually indistinguishable? (via James I. Bowie) [BV]


Observed | February 21

Katie Holten has created a New York City Tree Alphabet. Each letter of the Latin alphabet is assigned a drawing of a tree from the NYC Parks Department’s existing native and non-native trees, as well as species that are to be planted as a result of the changing climate. For example, A = Ash. [BV]


Observed | February 20

A brilliant essay by the pitch-perfect Molly Young—every last word resonates. And thank you for the nod to my glossary! [JH]


Observed | February 19

Vanity plate victory! In Kentucky, an 80-year old atheist triumphs in battle for ‘IM GOD’ license plate. [JH]


Observed | February 18

For 15 years, the Exercise Book Archive has been compiling an extensive digital archive of children’s school notebooks from countries like the US, Ghana, Latvia, Brazil, and Finland. [BV]


Observed | February 12

“We can’t just be about making things pretty.” —Jessica Helfand talks with Lorne Buchman on the latest Change Lab podcast from ArtCenter. [BV]

Could anyone be the girl (or boy) with a Pearl earring? (via Joy Miller) [BV]


Observed | February 04

Humans at work”: the new call of Posterheroes is inviting the international creative community to share their message about the future of work. [BV]

The pitfalls and the potential of the new minimalism. [BV]



Jobs | March 29