VII was created in 2001 by seven of the world’s leading photojournalists. Renowned for the quality of its photography, the group’s collective archive of over 100,000 images is an iconic summary of the defining landmarks of the late Twentieth Century and it continues to grow as the new Millennium develops. The collection has been built cover-by-cover and page-by-page in collaboration with the world’s leading magazines. Time Magazine, The New York Times Magazine, National Geographic, Newsweek, Stern, The Sunday Times Magazine, GEO Germany, Paris Match, Le Monde and others have helped to introduce these images to the world. VII’s cultural position has been cemented by its many exhibitions in leading museums, including the Whitney Museum of Contemporary Art and the Louvre, and featured appearances at major art/photo festivals including Les Rencontres D’Arles, Photo España and Visa pour l’image. More than 70 books have been dedicated to the work of VII photographers; VII’s work has also been the subject of broadcast documentaries in USA, Europe, Japan and elsewhere.

Members
Jocelyn Bain Hogg, the Estate of Alexandra Boulat, Stefano De Luigi, Jessica Dimmock, Danny Wilcox Frazier, Ashley Gilbertson, Ron Haviv, Ed Kashi, Gary Knight, Antonin Kratochvil, Joachim Ladefoged, Christopher Morris, Maciek Nabrdalik, Franco Pagetti, Sarker Protick, Sim Chi Yin, John Stanmeyer and Tomas van Houtryve.

Mentor Program
Ali Arkady (Iraq) Arnau Bach (Spain), Luisa Dörr (Brazil), Linda Bournane Engelberth (Norway), Mojgan Ghanbari (Iran), Furkan Temir (Turkey) and Esa Ylijaasko (Finland).

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Observed


“My design philosophy is to make people happy and comfortable in their environment,” says the 83-year old Irish designer known simply by her first name—Clodagh. “Since I don’t know the rules, I can actually break them all the time.” 

Design for accessibility, blessedly, is on the minds of architects and builders all over the world. Given the fact that an estimated 15-20% of the population is neurodivergent, commercial buildings are increasingly working to become more welcoming, inclusive, and comfortable for all individuals.

“While designers are eager for praise and acclaim and create an aura of ostensibly cultured and intellectual pursuit, often involving awards and accolades, design itself takes no responsibility for what happens when things go wrong.” An excerpt from Manuel Lima's latest book.  

“As a person who spent the first part of my career as a graphic designer and art director, I immediately saw the visual power and nearly infinite graphic possibilities of this image.” In today's New York Times, Charles Blow discusses the irrefutable power of an iconic photograph.

Scientists are designing a space suit that converts urine into drinking water. More here.

Graphology geeks, rejoice! A new book featuring a selection of treasures from the Bodleian Library at the University of Oxford is out from our friends at University of Chicago Press.

Sad but true: according to Q1 data collected by the Federal Reserve Bank of New York, undergraduates choosing to major in Art History, Visual Arts, Performing Arts, and Graphic Design are associated with the highest rates of unemployment across the nation.

The Underground Railroad Stamps, for the United States Postal Service—released in May— feature 10 portraits of some of the men and women who escaped slavery and/or helped others escape: Catharine Coffin, Frederick Douglass, Thomas Garrett, Laura Haviland, Lewis Hayden, Harriet Jacobs, William Lambert, Jermain Loguen, William Still and Harriet Tubman. Designed by Antonio Alcalá, of Studio A,  the stamp, observes Steven Heller, “has done an important job of teaching American history to the public through these miniature ‘posters’ ”.

Randy Hunt is the new chair of the MFA “Designer as Entrepreneur” program at the School of Visual Arts in New York, succeeding founding co-chairs Steven Heller and Lita Talarico.

At Tulane, architecture students build homes for the homeless.

Cesar Rivera—who leads design for the Centers for Disease Control and Prevention in Atlanta—has been named the next board chair of AIGA.

Founded in 1944 by Winston Churchill’s government to help accelerate post-war economic growth, The UK Design Council is on a mission to put the planet at the heart of the sector’s work.

Figma's new AI tool hits a roadblock.

Unlike most of the world, Iceland's design scene skews overwhelmingly female. Nat Barker explores what makes the tiny Nordic nation so different.

"If MoMA is going to get serious about this world, it needs to start by dumping the whole concept of “Latin America” and start getting specific." Carolina A. Miranda skillfully reviews Crafting Modernity, an exhibition about design (yes, in Latin America) that runs through the summer at New York's Museum of Modern Art.

Logo lunacy for the New York Jets!

Professor Nayef Al-Rodhan—a philosopher, neuroscientist, geostrategist, and futurologist who currently leads the Geopolitics and Global Futures Department at the Geneva Centre for Security Policy in Switzerland—holds strong opinions about architecture, which he characterizes as “an intrinsically philosophical enterprise grounded in aesthetics and ethics, including theories of human nature”. And he has something to say about its future, particularly in the age of artificial intelligence.

Co. Design is now Fast Company Design.

From our friends at the MITPress Reader (an occasional newsletter that we can't recommend highly enough), the architect Moshe Safdie offers a beautiful remembrance of steps—and insights on their complexity—that led him to a life in design. (Also in this edition: graphic design enthusiasts will love this story on the design of the original edition of Robert Venturi and Denise Scott Brown's Learning from Las Vegas.)

At The Design Museum in London, a more "rainbow-hued version of the Barbie universe". 

Right-leaning public interest groups have filed a barrage of federal lawsuits intended to dismantle long-standing corporate and government programs that consider race in job placement. With an alleged goal of “complete race neutrality” (a view of radical equality that, for example, lawyers for the Wisconsin Institute for Law and Liberty think is “in line with the Declaration of Independence”) litigants are chippping away at the use of affirmative action across America.  

As we wind down Pride Month 2024, a look at how queer theory apples to urban design: as theory and practice grows more empathetic towards the needs of its diverse stakeholders, queer urban design brings a broad and holistic shift to understanding identity and community in publicly inhabited spaces, challenging traditional (and often rigid) methods of city planning by applying more inclusive criteria to reflect fluidity and interconnectedness. 

Longevity, by Design: Apple has published a 24-page document outlining its key principles for designing hardware that endures.

Manchester City released a brand-new club font to use on the player’s shirts. But instead of tapping the skills of renowned typeface firms who routinely work with sports teams and brands, the Premier League champions asked former Oasis rocker Noel Gallagher to submit a brief. So he did! And the crowd went wild.

Designer Vivienne Westwood’s personal wardrobe goes to auction.

The UK's Design Council has announced a plan to upskill one million designers for the green transition by 2030. Their report, A Blueprint for Renewal: Design and Technology Education, was published with a group of 20 design and education organizations. 

The Peabody-award nominated audio documentarians at Scene on Radio have just dropped CAPITALISM. A full season, a dozen or so episodes, exploring the world's dominant economic system -- how people shaped it over time and what to do about it now that more and more people see capitalism as the problem, not the solution. Produced by host/producer John Biewen with co-host Design Observer’s Ellen McGirt and story editor Loretta Williams, among other amazing collaborators.  The trailer is here; find it wherever you get your podcasts.

Speaking of AI, Kevin Bethune would like a word with Adobe. 

#Config2024: Figma announced a significant redesign, including new features and AI tools designed to help simplify the user experience. And, in case you were wondering, “All of the generative features we’re launching today are powered by third-party, out-of-the-box AI models and were not trained on private Figma files or customer data,” writes Kris Rasmussen, Figma’s CTO

Designed by PearsonLloyd for Teknion (a family-owned business with an environmental conscience and an international reach) Aarea is a chair that unites the concept of circularity and the simple reality of human needs: intuitive and ergonomic in use, it is made with a minimum of components and materials.



Jobs | July 16