Alexandra Lange is an architecture and design critic, and author of Writing about Architecture: Mastering the Language of Buildings and Cities. (Princeton Architectural Press, 2012). Her work has appeared in The Architect’s Newspaper, Architectural Record, Dwell, Metropolis, Print, New York Magazine and The New York Times.


































































03.26.12
‘Deco Japan’ + Designing Women
The Japan Society's new exhibition
"Deco Japan: Shaping Art and Culture, 1920-1945" displays the surprising globalism of this little-known period in Japanese design, when pent-up post-1923-earthquake desires for new goods and new traditions met up with a new openness to Western arts and the rise of industrialization




































































































09.28.10
Yummy!
I thoroughly enjoyed the exhibition
Appetite, curated by Alexander Tochilovsky at the Herb Lubalin Center at Cooper Union, not least because it was bite-sized.




09.26.10
Masdar: So Many Questions
I was not planning to post anything about 
Sukkah City. It all just looked like an architecture studio: so much effort, such worked-over results, and an inability to see the forest for the trees.




09.24.10
Rendering v. Reality in Sukkah City
I was not planning to post anything about
Sukkah City. It all just looked like an architecture studio: so much effort, such worked-over results, and an inability to see the forest for the trees.











09.08.10
In Dwell: Hands Off the Icons
In the 
October 2010 issue of Dwell, which celebrates the magazine’s tenth anniversary by revisiting its own (generally happy) homeowners, I offer the following Argument.




09.07.10
Coming to the V&A: Tower of Power
It is not often that 
a museum blogs about Postmodernism, Michael Sorkin (one of the great take-downs) and credits the (female) renderer who made the AT&T Building look the best it ever has.





08.30.10
Lunch with the Critics: Park51 and 15 Penn Plaza
In my 
second critical lunch with Mark Lamster, in the creepy climes of the Hotel Pennsylvania, we discuss the urbanism, politics and skyline posturing of Park51 and 15 Penn Plaza.

















07.27.10
On DO: Lunch with the Critics
Please weigh in on 
Mark Lamster and my new Design Observer feature, "Lunch with the Critics," in which we observe the new Lincoln Center.








07.20.10
Culture Shed: Where’s the Neighborhood?
CultureGrrl 
offers a critique of the NEA grant for Culture Shed, the Diller Scofidio + Renfro and Rockwell Group design for a Kunsthalle with retractable roofs over at Hudson Yards.





07.18.10
Hung Ceilings
Mad Men returns, and now it's time to speculate on the evolution of Peggy’s hair and the meaning of Betty’s dress choices




07.13.10
Time to Move On
A very nice 
house in Montauk embodies the most recent cliches in architecture: floating staircases, pocket doors, and glass floors.







07.06.10
Below Black Rock
While the plaza around the 
CBS Building in Manhattan has always seemed perverse, it is now made worse with the addition of a bank.




07.02.10
The Personality of Parks
Until Pier 6 at 
Brooklyn Bridge Park opened, my only experience of parks as a parent had been of neighborhood parks










06.17.10
Diana Center & Architectural Bull----
Though rave reviews (
Architect, Metropolis, previously New York) are rolling in for Weiss/Manfredi’s Diana Center at Barnard College, every review has praised two things that I quickly dismissed as the most basic architectural bullshit: the copper glass and the street-level transparency.







06.11.10
Op Art Eye Candy
I’m lucky that I get to live with a
Julian Stanczak painting, bought by my father-in-law in 1968, when Op Art was really something.




06.10.10
Pomo Time Machine
I’m writing more about
Warren Platner, my favorite terribly wonderful or wonderfully terrible architect.








06.02.10
Bloggers in the Archive
Geoff Manaugh’s announcement, on
BLDGBLOG, that he would be blogging from the CCA this summer irritated me, partly because the idea is not brand new.




05.27.10
The Plastics
This month’s
Vogue, which had several enraging features, is not yet fully online except for Blake Lively, bathing suits, clear plastic.






05.21.10
The Anti-Enthusiasts
Design Blogs: The Vacuum of Enthusiasm, my Design Observer manifesto on what the world of design on the internet needs, lives on in the comments.








05.14.10
It Was All Yellow
In 
Buying In, author Rob Walker avoids talking about the aesthetics of the Livestrong bracelet.




05.12.10
In Metropolis: The Visceralist
I spent a day and a half with
Peter Bohlin in deepest Pennsylvania and New York State, and was very impressed with his house projects and attitude toward design.






05.07.10
On Archpaper: Saccharine Design
My review of
Marcel Wanders’ exhibition Daydreams at the Philadelphia Museum of Art for The Architect’s Newspaper just went online and let’s just say I was not impressed.








05.02.10
What I Learned @dcritconference
The
D-Crit Conference is just a memory, so as a tribute to the afternoon presentations I saw, I offer a set of tangents.













04.15.10
All in the Execution
Ian Baldwin's review of The Grid Book calls out the coffee-table book format and it's middlebrow achievements.










04.03.10
Has the High Line Ruined Us?
I went to
Brooklyn Bridge Park on opening day in the pouring rain with stroller.






03.31.10
Moynihan on Design
At
tonight’s lecture at D-Crit, Casey Jones, director of design excellence and the arts for the U.S. General Services Administration, quoted from Daniel Patrick Moynihan’s Guiding Principles for Federal Architecture, written in 1962.




03.30.10
Texts Without Context
I keep thinking about Michiko Kakutani’s piece,
Texts Without Context, that begins the discussion of what is being lost to culture by the supremacy of the web.












03.16.10
Things of Beauty
Saul Bass matchbook covers are about the most beautiful things I have seen in some time.








03.08.10
Not A Learning Experience
The Privileges finally gives a real satire of almost-present day New York City, in which money is discussed and no one has to learn their lesson.






03.03.10
The (Architectural) Anthologist
After some digressions weird and
wonderful, the Nicholson Baker I loved from The Mezzanine and U and I and Room Temperature seems to be back, cranky and at sea and procrastinating.















02.03.10
In AN 02: As the Tide Turns
In MoMA’s 
Rising Currents exhibition, certain tropes of contemporary waterfront design immediately surfaced.

















01.13.10
The Yuck Factor
Watch
District 9 as a palate cleanser after the visual feast of Avatar.






01.07.10
On DO: Skating on the Edge of Taste
The American Restaurant in Kansas City, designed by Warren Platner, is subject of a long essay on that architect and interior designer’s career.




01.06.10
I Heart Huxtable
Ada Louise Huxtable is still the most knowledgeable, elegant, thoughtful critic out there.







12.31.09
Last Post of 2009: Interview, Casey Jones
I interviewed the GSA’s newish head of Design Excellence,
Casey Jones, earlier this month about the future of this government program to ensure better architecture for government buildings






12.21.09
Exciting Multi-Generational Moment
An essay and slideshow on the
design of James Joyce’s Ulysses by my mother, Martha Scotford, appears on Design Observer, where I was recently made a contributing writer.






















11.22.09
Another New York
Every time I get an issue of
New York Magazine lately I ask myself: is Adam Moss turning it into a men’s magazine?



















10.24.09
Petting Zoo
On Thursday I took my class on a field trip to
One Bryant Park, the sustainable skyscraper that is almost complete at the northwest corner of 42nd Street and Sixth Avenue.























































































Observed | July 19

Today’s New York Times feature on the fire at Notre Dame has superb photography & dazzling interactive animations, but nothing is more mesmerizing than these sketches made at the scene by French firefighter Laurent Clerjeau. A landmark piece of visual journalism. [MB]

Everyone at this new advertising agency has served time in prison. [BV]


Observed | July 18

From ancient art to modern manuscripts, Harvard digital collections provides free, public access to over 6 million objects. #Explore! [BV]


Observed | July 17

Can a typeface embraces uncertainty and celebrates differences? Ambiguity is up to the challenge. [BV]


Observed | July 16

New out today from Shutterstock: Elements video effects. And some pretty fun behind the scenes footage. [BV]

Get Up, Stand Up Now is a major new exhibition at Somerset House celebrating the past 50 years of Black creativity in Britain and beyond. The exhibition explores migration, psychological and social borders, the body and participation, power and resistance. [LY]


Observed | July 15

Congratulations! Acclaimed Dutch typographer Wim Crouwel has just received the 32nd TDC Medal from the Type Directors Club. [BV]


Observed | July 12

Ikea claims to have created the World’s Comfiest Font, Soffa Sans, where each letter is formed by pieces from a sofa! Free download here. [LY]

Can you imagine the cereal isle? Kellogg’s has temporarily made the packaging for its most popular cereal varieties black and white in a new partnership with Crayola. [BV]

Not over the hill: Design With Nature, Ian McHarg’s landmark book of ecological design turns 50. [LY]


Observed | July 11

Congratulations to Collins, Ad Age‘s first design agency of the year! [BV]

Our privacy crisis is a crisis of design. [JH]


Observed | July 09

A wonderful deep dive online Bauhaus exhibition from Getty Research Institute. [BV]

Featuring upside-down pages, illegible interviews, and appearances from Sonic Youth, Björk, and David Bowie, Ray Gun, 90s America’s bible of music and style, shook up US publishing in the ‘90s. [BV]


Observed | July 08

Pioneering video artist Gretchen Bender predicted our obsession with screens. [BV]


Observed | July 02

“Not having anything to do sounds terrible. I fear that more than anything else. It’s greater than the fear of death.” Anne Quito interviews Milton Glaser on his 90th birthday. [MB]

70% of graphic design students are women, yet only 11% are Creative Directors. Discuss. [JH]


Observed | July 01

What a better way to kick off July than with some new art? And what better place to get it than the 20x200 weeklong sitewide semi-annual sale? Starting tomorrow their vintage & space editions are on sale. [BV]

Congratulations to our co-founder, Jessica Helfand, and all the Fall 2019 Bogliasco Fellowship recipients! [BV]

What’s as satisfying as a good book? Seeing one made the old-fashioned way, by hand. [BV]


Observed | June 28

Matthew Carter will discuss his ambitious new Latin superfamily of serif, sans, slab, and rounded typefaces at the Katherine Small Gallery. [BV]


Observed | June 27

The enduring appeal of mustard yellow. (via James I. Bowie) [BV]


Observed | June 26

Color theory explored by Peter Kraus in three jewels of book-making. [BV]


Observed | June 25

Jessica Helfand gave a poster design workshop to scientists at Yale a few years ago and was told by one that if he followed her advice, nobody would take him seriously as a scientist. Behold: the future! A graphic design revolution for scientific conference posters. [BV]

The new ghost museums of China. (via James I. Bowie) [BV]


Observed | June 20

Poster House, the first museum in the US dedicated exclusively to posters, opens today! Listen here to their first audio newsletter and guide narrated by Steven Heller. [BV]


Observed | June 19

Remembering the Bantam paperback of The Greening of America with its truly relentless deployment of Bookman Swash Italic. Quintessential 70s. RIP Charles Reich, 1928-2019. [MB]

Here’s your chance to hear Debbie Millman on the other side of the mike. Recorded live on stage at the famous Design and Advertising festival in London in May, Debbie is interviewed on episode 14 of This Way Up. [BV]


Observed | June 17

The School of Visual Arts has donated nearly 100 of its beloved Subway Series posters from the past three decades to the brand new Poster Museum, opening Thursday, June 20. These, as well as all new posters created in the future, will live in the Museum’s permanent archival collection. [BV]

Can a small Italian village point the way to more livable modern cities? A conference of urbanists aims to find out. [BV]



Jobs | July 22